Conservation Framing

At GPF Studio we use the most up-to-date archival preservation methods and materials for the safety of your artwork. We stay up to date with the technology, and we constantly sharpen our skills so that we can offer you the best possible protection for your precious art. 

In consultation with our clients, we use preservation methods and materials appropriate for each project. Inside each framing package is a unique preservation support system. We include the use of different preservation materials to suit each piece of art. Materials may include the following:

• Acid-free matting
• Acrylic spacers
• Reversible hinging tapes and papers
• Conservation corner mounts & strips
• Barrier tapes, rabbet tapes, and fillet tapes
• Ultraviolet protecting glass or Plexiglas™
• Museum Glass or Museum Plexiglas™
• Acid-free backing and barrier papers

Matting 

The motive of matting is visual and protective. Mats keep the glass from coming into contact with the artwork. This provides an air space to prevent damage due to condensation behind the glass. For other design options, we use liners, mat walls and acrylic spacers to separate artwork from glass and acrylic.

At GPFS we use only conservation quality acid-free and lignin free mat boards to protect your precious art. These mats are available in solid core rag board (100% cotton) or with colored and textured surfaces over acid-free centers. Bainbridge has a unique technological advantage with their ARTCARE line of mats. Embedded in their mat boards and acid-free foamcore boards are micro chambers, which trap impurities and protect art from the effects of pollution, paper degradation and the by- products of the art´s own aging.

Mounting and Hinging  

Fine art must be secured in a way that will accommodate changes in the art itself.  Most of the time, we hinge art work from the top so that the art will not buckle as it expands and contracts. In all cases, we do our best for invisible and reversible methods, and we discuss all the options with our clients.

We also mount economical posters to Foam-Core board using a press. The main benefit of this mounting treatment is to prevent waving of the poster behind the glass.

Glazing Options  

Ultraviolet light is present in nearly all forms of light, including sunlight, incandescent light, fluorescent light, and halogen light. UV light exposure causes artwork to fade, yellow, and become fragile. Although UV protective products will slow such deterioration, it is still important to hang valuable art away from direct sources of ultraviolet light. 

At GPFS we carry a variety of U.V. protective glass and acrylic in both clear and non-glare options. For budget picture framing needs, we also feature equivalent products without UV protection.

Museum Glass  is our finest grade premium glass. Is a truly an extraordinary product. It provides the same UV blocking protection of Conservation Clear and Conservation Reflection Control in that it blocks more than 98% of the ultraviolet rays. In addition, Museum Glass has a very special anti-reflective surface far superior to a typical non-glare glass. A special coating is used in extremely thin layers to break up the incoming light rays so that they don't bounce back off the glass, producing a glare. Because the rays don't bounce off, the picture is actually more illuminated than with clear glass. Museum Glass transmits more than 97% of light to the artwork. This improves color and clarity of the art work

Tru-Vue Conservation Clear Glass (U.V. Glass) filters 98% of damaging ultraviolet light. This is the glass you see on most of the art in our gallery and is our number one selling glass. 

Tru Vue Conservation Reflection Control (Non-glare U.V. Glass) has the same U.V. filtering quality as clear glass, but has an etched surface to reduce glare. This surface softens the image with a resulting slight loss in clarity and color intensity. 

Tru-Vue Premium Clear Glass is a quality clear picture framing glass for budget projects that do not require U.V. protection

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